Dress Code
RCD’s dress code is designed so each instructor can see the body to ensure proper alignment and placement. Students must wear the style and color leotard of their assigned level for each genre of dance.
Dress Code Details
Dress Code:
Young Dancers Program
Dance for 1’s: Comfortable attire for children and adults including socks
Dance for 2’s & 3’s Companion & 3’s & 4’s Independent: Female Identifying: White skirted leotard (Bloch CL8262, or Capezio 11305c) with pink or flesh-toned tights and pink or flesh-toned ballet slippers without drawstring (So Danca 55)
or Male Identifying: White t-shirt with black tights, white socks, and black ballet slippers.
Pre-Ballet for Pre-K: Female Identifying: Pink skirted leotard (Bloch 140, or Capezio 11305c) with pink or flesh-toned tights and pink or flesh-toned ballet slippers without drawstring (So Danca 55)
or Male Identifying: White t-shirt with black tights, white socks, and black ballet slippers.
Pre-Ballet for Kindergarten: Light purple skirted leotard (Bloch 140, or Capezio 11305c) with pink or flesh-toned tights and pink or flesh-toned ballet slippers without drawstring (So Danca 55)
or Male Identifying: White t-shirt with black tights, white socks, and black ballet slippers.
Ballet and Pointe
Level I Ballet: Female Identifying: Light pink leotard Mirella #515C/#515L (Cap Sleeve) or #207C/#207L (Camisole) with pink or flesh-toned tights and pink or flesh-toned ballet slippers
or Male Identifying: White t-shirt with black tights, white socks, and black ballet slippers
Level II Ballet: Female Identifying: Seafoam Mirella #515C/#515L (Cap Sleeve) or #207C/#207L (Camisole) with pink or flesh-toned tights and pink or flesh-toned ballet slippers
or Male Identifying: White T-shirt with black tights, white socks, and black ballet slippers (Camisole) in cotton or lycra
Level III Ballet: Female Identifying: any style leotard in navy blue with pink or flesh-toned tights and pink or flesh-toned ballet slippers
or Male Identifying: White t-shirt with black tights, white socks, and black ballet slippers
Level IV Ballet: Female Identifying: any style leotard in navy blue with pink or flesh-toned tights and pink or flesh-toned ballet slippers and Level IV, Pointe: pink or flesh-toned pointe shoes
or Male Identifying: White t-shirt with black tights, white socks, and black ballet slippers
Level V Ballet: Female Identifying: any style leotard in black with pink or flesh-toned tights and pink or flesh-toned ballet slippers, Pointe: pink or flesh-toned pointe shoes
or Male Identifying: White t-shirt with black tights, white socks, and black ballet slippers
Jazz, Tap, Modern, Contemporary:
Jazz: Female Identifying: Black jazz pants, black footless tights, or solid black leggings, black jazz shoes with designated level leotard color. Male Identifying: black jazz pants with white t-shirt and bare feet.
Tap: Female Identifying: Black jazz pants, black footless tights, or solid black leggings, black tap shoes with designated level leotard color. Male Identifying: black jazz pants with white t-shirt and black tap shoes.
Modern: Female Identifying: Black jazz pants, black footless tights, or solid black leggings, bare feet with designated level leotard color. Male Identifying: black jazz pants with white t-shirt and bare feet.
Contemporary: Female Identifying: Black jazz pants, black footless tights, or solid black leggings, bare feet with designated level leotard color. Male Identifying: black jazz pants with white t-shirt and bare feet.
Hip Hop
Comfortable attire (no bare midriffs), sneakers for indoor use only.
Open Program for Teens and Adults
A solid colored leotard with ballet tights or leggings, as well as appropriate footwear (ballet, tap, or jazz shoes).
Grace Reddy (formerly Liu Zhao Hui) trained at China’s national school of dance, the Beijing Dance Academy, studying classical Chinese dance and ballet under Russian masters following the Vaganova System. Upon graduation from the Academy, she joined China’s foremost dance company, the Chinese Dance Theater. During a 13-year career with the company, she toured throughout China and other Asian countries performing on stage, in movies and on television. She has been a featured dancer in many major Chinese dance productions including A Dream of Red Mansions, The Princess of Wen Cheng, Tong Que Tai, Bao Lian Deng, and Deng Xiao Ping Song Ge. She has performed as a visiting artist at universities in the United States and toured the Hawaiian Islands performing a program of classical Chinese dance under the auspices of Beijing University. After immigrating to the United States, Grace founded the Tang Yung School of Chinese Dance and has performed with the Beijing Dance Company of New York and the Zhong Mei Dance Company.
Janel was born and raised in Connecticut and received her early dance training from the Ridgefield Conservatory of Dance. She continued her training through intensives at the Nutmeg Ballet Conservatory, The Hartt School, ABT North Carolina, The Taylor School, and The Ailey School. While a student at Ridgefield Conservatory of Dance, Janel performed Martha Graham’s Steps in the Street as well as numerous roles in The Nutcracker. In 2016 Janel was the recipient of the Patricia Schuster Award and was inducted into the National Honors Society for Dance Arts. Janel graduated magna cum laude from the Fordham Ailey BFA program with a double major in dance and psychology. While at the Ailey School she performed works by Tina Bush, Robert Battle, Janice Rosario, and Jacqulyn Buglisi. After graduating, Janel began working with children diagnosed with Autism as a Registered Behavior Technician and is currently pursuing a Masters in Psychology with an Applied Behavior Analysis focus. Janel looks forward to sharing her passion for dance with the students at the Ridgefield Conservatory of Dance.
Robyn began her training at the Ridgefield Conservatory of Dance under James Robey. Her ballet training includes summer intensives such as The Bolshoi Ballet, The Ailey School, The Gelsey Kirkland Academy of Classical Ballet, and The Central Pennsylvania Youth Ballet among others. In 2015, she was the recipient of the Patricia Schuster Award and proceeded to earn her degree in dance from Adelphi University. Robyn furthered her ballet education with private coaching under notable dancers such as Ashley Bouder, Carol Sumner, Flavio Salazar, Hilda Morales, Marnie Thomas and Tiler Peck. Robyn currently teaches for Ridgefield Academy Landmark Preschool in Westport, CT.
Marlon Mayers discovered his passion for dance at the age of 14 where he began his dance training when accepted into Frank Sinatra School of the Arts. While attending Frank Sinatra, he also attended Ballet Hispanico, The Abrons Arts Center and The Martha Graham school of Contemporary Dance. Graduating from Frank Sinatra School of the Arts in 2009, Marlon attended Marymount Manhattan College as a B.F.A dance major. Marlon has landed wonderful opportunities that allowed him to work with a wide range of choreographers from different styles of dance such as Jessica Lang, Laurie-Ann Gibson, Daniel Catanach, and Larry Keigwin, just to name a few. Since then he has been a Principal Dancer with the Abrons Arts Center Dance Ensemble, a Corp de Ballet dancer with Urban Ballet Theater and a freelancer with small modern dance companies based in New York City. Although Marlon loves performing he has a passion for teaching. He has had the opportunity to choreograph on the graduating class at Frank Sinatra school of the Arts as well as teach and be a mentor for the underclassmen. He has also presented his own choreography with the American Ballet Theater’s “Make a Ballet” and has submitted and showcased his works to numerous arts festivals. When not rehearsing and staging his own works, Marlon spends his time in a studio teaching and sharing great life lessons to students throughout the greater New York area.
Kelly graduated Summa Cum Laude from Pace University with a B.S. in commercial dance and psychology. At Pace, she performed works by Andy Blankenbuehler, Jessica Lang, Chloe Arnold, and Jason Samuels Smith. She began her training at the Ridgefield Conservatory of Dance under James Robey, and continued her training at Fineline Theatre Arts under Elizabeth Parkinson and Scott Wise, and Mary Ann Lamb. She has also studied under Twyla Tharp, and performed works such as The Fugue and Burundi Drums. Most recently, she has been seen on the national tour of 42nd Street, which was helmed by the 2001 Tony Award-winning team of Mark Bramble and Randy Skinner. In addition, Kelly has performed with the New Bedford Festival Theatre, Ocean Professional Theatre Company, and the Carnegie Hall Exchange. Favorite credits include My Fair Lady, Singin’ in the Rain, and Crazy For You. Aside from performing, Kelly has been teaching a wide variety of styles for 5 years, from students in creative movement to adult levels.
Mary Beth Hansohn received her professional training at The Arlington Center for Dance in Arlington, VA, and studied ballet in the hightest level at The American Ballet Theater Summer Program in New York City, where she performed George Balanchine’s Theme and Variations. She joined The Ohio Ballet as a full member at age 18, and went on to dance in works by Heinz Poll, Donald Byrd, Laura Dean, Ann Marie DeAngelo, Lynne Taylor-Corbett, Stephen Mills, Septime Webre, Salvatore Aiello, Dermot Burke, Val Caniparoli, Jeffrey Hughes, Twyla Tharp, and Alonzo King. Mary Beth has performed with Dayton Ballet, Cincinnati Ballet, The Cleveland Opera, D.C. Contemporary Dance Festival, Neglia Ballet Artists, The Adam Miller Dance Project, The National Tap Ensemble, and Terra Firma Dance Theatre. Mary Beth performed in the 2011 Victoria’s Secret Fashion Show in New York City, which was televised on CBS. In 2014, she appeared and danced in the new television drama series “Flesh and Bone”. Mary Beth has also worked with Edouard Lock at La La La Human Steps in Montreal, and with Karole Armitage at Armitage Cone! Dance in New York City. Some of Ms. Hansohn’s favorite roles include the title role in Giselle, “Mina Harker” in Dracula, “Gerturde” in Hamlet, Le Corsaire pas de deux, “Russian Girl” in George Balanchine’s Serenade, the pas de trois from George Balanchine’s Agon, “Myrtha” in Giselle, and Unnatural Selection, a pas de deux choreographed and danced with her husband, James Graber. Mary Beth has judged dance competitions and choreographed in dance workshops across the country, and continues to teach ballet and contemporary dance in New York.
Dona Wiley received her pre-professional dance training at the Ridgefield Conservatory of Dance in Connecticut under the direction of James Robey, and studied at many professional level summer ballet intensives including the American Ballet Theater Summer Program in New York City. Dona Wiley is an ABT® Certified Teacher, who has successfully completed the ABT® Teacher Training Intensive in Pre-Primary through Level 3 of the ABT® National Training Curriculum. As a freelance dancer, Dona currently works with the New York based dance companies Lydia Johnson Dance, Nomad Contemporary Ballet, Neville Dance Theatre, Neglia Ballet Artists, and as the rehearsal director and co-founder of CelloPointe. Her past company credits also include Connecticut Ballet, Staten Island Ballet, Felice Lesser Dance Theatre, IKADA Dance, Ballet Inc, and the Taormina Teatro Group where she enjoyed a principal dance role int he off-broadway play Tchaikovsky. Notable career highlights include performing the title role in Staten Island Ballet’s production of Carmen, as well as dancing the choreography of George Balanchine, Emery LeCrone, Gabrielle Lamb, and David Fernandez, among others. As a dance instructor Dona has taught ballet and pointe, choreographed new works, and set classical repertoire in studios throughout New York, Connecticut, and New Jersey.
Edgar was born in Portugal. He graduated from the School of Dance of the National Conservatory in Lisbon where he worked with choreographers from Ballet Gulbenkiain, the National Ballet, Escola Superior de Danca, Escola Superior de Teatro and Companhia de Danca de Lisboa. In 1995 he was awarded a scholarship to the Martha Graham School of Contemporary Dance in New York City where he worked with the Martha Graham Dance Ensemble and performed leading and solo roles. In New York City he has worked with Pearl Lang Dance Theater, Sophie Maslow, Jeanette Hemstad, Analysis Dance Company, Chen & Dancers, Nai-Ni Chen Dance Company, Mark Dendy, as well as other independent choreographers. Edgar was a member of the wolrd renowned Les Ballets Trockadero de Monte Carlo and toured extensively for six years (U.S.A., Japan, Australia, Europe, Canada, South America, Central America). He has worked with Underworld Productions Opera. In 2010 he choreographed the opera “Pygmalion”- My Unfair Lady, 2011 “Apollo and Daphne, Clarence and Anita and was the costume designer fro “Don Pasquale” in 2012 and “Il Trionfo dell’Onore” in 2013. In January of 2009 he founded the Edgar Cortes Dance Theater. He was awarded grants by NOMAA and created “Unicornius”, a piece inspired by the Hunt of the Unicorn Tapestries currently at the Cloisters Museum, “Water Poodles, (2010) inspired by Esther Williams and synchronized swimming, and “DALI AQUI” (2011) inspired by Salvador Dali. His work “Quatro” (2012) is inspired by the 4 seasons. The latest work “SOL-I-DO” is inspired by Portugal and its traditions. Edgar is currently working on a new piece “CIRCOPIA”.
Polly Kingsbury has had an extensive career in dance education. She has taught ballet, modern and jazz throughout Westchester and Connecticut. Polly spent most of her life studying and teaching at the Steffi Nossen School of Dance. During her tenure there she served in many capacities including Educational Director, Operations Director and Senior Staff Instructor. While there she hired, trained and supervised the teaching staff for the Steffi Nossen method curriculum classes and choreographed for the Junior Master Class, Concert Group and many performance groups. She was the Steffi Nossen Children’s Show director and producer from 1979-2004. Her choreography has been performed at the Performing Arts Center at Purchase College. After moving to CT in 2004 she continues to serve as a consultant there. Polly has served as the Dance Coordinator for the Rye City Public Schools teaching PAC and choreographing for musicals, revues and choral groups within the district. For many years she served as a visiting instructor for the Westchester Arts Council teaching classes and workshops for special needs groups throughout the county. Polly has taught and lectured for the Hole in the Wall Gang “COPE” weekends in Southbury, CT. Polly’s performance credits include the Barnspace Dance Project based in Katonah NY and A New Generation of Dance at the Emelin Theatre in Larchmont, NY. Since moving to CT in 2004, Polly has been an enthusiastic supporter of RCD as a guest teacher, student, rehearsal assistant, seamstress, and much more. She is thrilled to be serving in this new capacity at RCD.
Amy trained at the Boston Conservatory and the Martha Graham School of Contemporary Dance, where she received scholarships from the Gregory Peck Foundation and as a Finalist for the Coca-Cola Award for Artistic Excellence. Ms. Piantaggini is a former member of the Martha Graham Dance Company and the Martha Graham Dance Ensemble, in which she danced many soloist roles including “Satyric Festival Song” and “Conversation of Lovers”. Anna Kisselgoff of the New York Times said that Amy “made a luminous New York debut in Graham’s abstract view…” October 7, 1998. Amy has danced for the companies of Javier Dzul, Richard Move, and James Robey, and currently dances for Edgar Cortes Dance Theater. Amy’s teaching experience includes numerous schools throughout New England including the Hartt School/University of Hartford and as a Graham-based master class guest instructor for Central Michigan State University, Webster University, Western Connecticut University, Endicott College, Sacred Heart University, Barnard College, and Dean College. She received her MFA in Interdisciplinary Arts from Goddard College with a focus in early American Modern Dance and Embodiment Studies. Ms. Piantaggini is a member of the National Dance Education Organization, and served on the Danbury Dance Initiative task force. She established RCD as a charter for National Honors Society for Dance Arts in 2016. Amy is the recipient of the New Connections Award in 2022 for mentoring young women and the Nancy Comstock Andrews Superlative Teaching/Mentoring Award in 2018 for her extensive collaborations between the Conservatory and countless Ridgefield arts organizations.